The paradox of sad music

This is the paradox of sad music: We generally don’t enjoy being sad in real life, but we do enjoy art that makes us feel that way. 

Maybe, because sadness is such an intense emotion, its presence can prompt a positive empathic reaction: Feeling someone’s sadness can move you in some prosocial way.

“You’re feeling just alone, you feel isolated,” Dr. Joshua Knobe (an experimental philosopher and psychologist at Yale University) said. “And then there’s this experience where you listen to some music, or you pick up a book, and you feel like you’re not so alone.”

Read more from Oliver Whang in the New York Times 

U2's Bono gives concert in Kyiv metro that's being used as a bomb shelter

Bono and The Edge, at the invitation of President Volodymyr Zelensky, performed a "Freedom " concert in a Kyiv subway station that's being used as a bomb shelter.

Seeing Music

When Julie Landsman auditioned for the role of principal French horn at the Metropolitan Opera of New York (Met for short), the screens had just gone up in the practice hail. At the time, there were no women in the brass section of the orchestra, because everyone “knew” that women could not play the horn as well as men. But Landsman came and sat down and played—and she played well.

But when they declared her the winner and she stepped out from behind the screen, there was a gasp. It wasn’t just that she was a woman, and female horn players were rare.. And it wasn’t just that bold, extended high C, which was the kind of macho sound that they expected from a man only. It was because they knew her. Landsman had played for the Met before as a substitute. Until they listened to her with just their ears, however, they had no idea she was so good.

When the screen created a pure Blink moment, a small miracle happened, the kind of small miracle that is always possible when we take charge of the first two seconds: they saw her for who she truly was.

Malcolm Gladwell, Blink

seeing who's a winner

What matters most in a music competition—the music, right? Before you answer, consider this study: Some volunteers were asked to guess which performers won classical music competitions after listening to audio of the contest. Others were given audio and video of the performances. A third group got the video with no sound. Despite not hearing a note, the last group, going off of video without audio, guessed the winners better than the volunteers who could actually hear the performances. These volunteers were not just music fans—they were amateur and professional musicians. Both these volunteers and the actual judges of the contests allowed the visual image to outweigh the music itself when judging its value.

Researcher took the study one step further by trying to figure out what made the difference. If you think it was the attractiveness of the performer, think again. The social cues related to passion and creativity provided the biggest indication as to which performances would be judged award winning.

Often what we say we value (in this case, the music itself) takes a backseat to what we really value (the performer's visual presentation flare and appearance).

Details of the study are in Proceedings of the National Academy of Sciences. You can read it here.

Stephen Goforth